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  • Indigenous Heritage
    Indigenous Heritage

    History shows that travellers sought to experience the unfamiliar and exotic cultures and traditions of Indigenous peoples, with early examples of Indigenous tourism in the United States, Canada, Scandinavia, Australia, New Zealand and countries throughout Asia and Latin America.Similarly, contemporary travellers demonstrate a desire to seek out opportunities to experience Indigenous peoples and their cultures.Thus, we are witnessing worldwide growth in the awareness of, and interest in, Indigenous cultures, traditions, histories and knowledges.Engagement in the tourism sector is regularly advocated for Indigenous peoples because of the socio-economic opportunities it provides; however, there are a range of cultural benefits including the maintenance, rejuvenation and/or preservation of Indigenous cultures, knowledges and traditions for Indigenous peoples who choose tourism as a vehicle to showcase their cultures.Consequently, tourism is regularly acknowledged as a means for facilitating the sustainability of tangible and intangible Indigenous cultural heritage including languages, stories, art, dance, rituals and customs.Importantly, however, the history of Indigenous peoples’ engagement in tourism has provided a range of examples of the threats to Indigenous culture that can accrue as a result of tourism (i.e., cultural degradation, commercialisation and commodification, authenticity and identity, among others).This book presents an exploration of the intersection between tourism and Indigenous culture. The chapters in this book were originally published as a special issue of the Journal of Heritage Tourism.

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  • Digital Cultural Heritage
    Digital Cultural Heritage

    This book provides an overview of various application spheres and supports further innovations needed in information management and in the processes of knowledge generation.The professions, organizations and scientific associations involved are unusually challenged by the complexity of the data situation.Cartography has always been the central field of application for georeferencing digital cultural heritage (DCH) objects.It is particularly important in enabling spatial relation analysis between any number of DCH objects or of their granular details.In addition to the pure geometric aspects, the cognitive relations that lead to knowledge representation and derivation of innovative use processes are also of increasing importance.Further, there is a societal demand for spatial reference and analytics (e.g. the extensive use of cognitive concepts of "map" and "atlas" for a variety of social topics in the media).There is a huge geometrical-logical-cognitive potential for complex, multimedia, digital-cultural-heritage databases and stakeholders expect handling, transmission and processing operations with guaranteed long-term availability for all other stakeholders.In the future, whole areas of digital multimedia databases will need to be processed to further our understanding of historical and cultural contexts.This is an important concern for the information society and presents significant challenges for cartography in all these domains. This book collects innovative technical and scientific work on the entire process of object digitization, including detail extraction, archiving and interoperability of multimedia DCH data.

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  • Traditional Turkish Afghan Coins Tassel Pendant Necklace for Women Vintage Gypsy Ethnic Tribal
    Traditional Turkish Afghan Coins Tassel Pendant Necklace for Women Vintage Gypsy Ethnic Tribal

    Traditional Turkish Afghan Coins Tassel Pendant Necklace for Women Vintage Gypsy Ethnic Tribal

    Price: 2.00 £ | Shipping*: 1.99 £
  • Traditional Turkish Afghan Coins Tassel Pendant Necklace for Women Vintage Gypsy Ethnic Tribal
    Traditional Turkish Afghan Coins Tassel Pendant Necklace for Women Vintage Gypsy Ethnic Tribal

    Traditional Turkish Afghan Coins Tassel Pendant Necklace for Women Vintage Gypsy Ethnic Tribal

    Price: 2.00 € | Shipping*: 1.99 €
  • What is Brazilian gold?

    Brazilian gold refers to the gold that is found and mined in Brazil. Brazil has a long history of gold mining, dating back to the 17th century when the Portuguese colonizers first discovered gold in the region. Brazilian gold has been an important part of the country's economy and has played a significant role in shaping its history. Today, Brazil is one of the world's largest producers of gold, with mining operations spread across the country.

  • What is Brazilian culture?

    Brazilian culture is a rich and diverse blend of indigenous, African, European, and other immigrant influences. It is known for its vibrant music and dance, such as samba and bossa nova, as well as its colorful festivals like Carnival. Brazilian cuisine is also a significant aspect of the culture, with dishes like feijoada and churrasco being popular. Additionally, Brazilian culture is characterized by a strong sense of community and hospitality, as well as a deep connection to nature and the environment.

  • Are Brazilian women hot?

    It is not appropriate to make generalizations about the physical appearance of an entire group of people. Beauty is subjective and varies from person to person. It is important to respect individuals for their unique qualities and not make assumptions based on stereotypes.

  • Why Portuguese and not Brazilian?

    Portuguese is the official language of Brazil, so when referring to the language spoken in Brazil, it is more accurate to use the term "Portuguese" rather than "Brazilian." Additionally, "Brazilian" is often used to refer to the people, culture, or products of Brazil, rather than the language itself. Therefore, to specifically refer to the language spoken in Brazil, it is more appropriate to use the term "Portuguese."

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  • Sustaining Indigenous Knowledge : Learning Tools and Community Initiatives for Preserving Endangered Languages and Local Cultural Heritage
    Sustaining Indigenous Knowledge : Learning Tools and Community Initiatives for Preserving Endangered Languages and Local Cultural Heritage


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  • Voicing Identity : Cultural Appropriation and Indigenous Issues
    Voicing Identity : Cultural Appropriation and Indigenous Issues

    Written by leading Indigenous and non-Indigenous scholars, Voicing Identity examines the issue of cultural appropriation in the contexts of researching, writing, and teaching about Indigenous peoples.This book grapples with the questions of who is qualified to engage in these activities and how this can be done appropriately and respectfully. The authors address these questions from their individual perspectives and experiences, often revealing their personal struggles and their ongoing attempts to resolve them.There is diversity in perspectives and approaches, but also a common goal: to conduct research and teach in respectful ways that enhance understanding of Indigenous histories, cultures, and rights, and promote reconciliation between Indigenous and non-Indigenous peoples. Bringing together contributors with diverse backgrounds and unique experiences, Voicing Identity will be of interest to students and scholars studying Indigenous issues as well as anyone seeking to engage in the work of making Canada a model for just relations between the original peoples and newcomers.

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  • Traditional American Folk Songs
    Traditional American Folk Songs


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  • Tribal and the Cultural Legacy of Streetwear
    Tribal and the Cultural Legacy of Streetwear

    Tribal Streetwear is lifestyle streetwear brand that seeks to represent a variety of southern California sub-cultures that includes graffiti, street art, skateboarding, surfing, tattoos, hip hop, breakdancing, punk, lowriders, and custom culture.Based in San Diego, California, Tribal has strong Chicano roots in its aesthetic and spans the globe with retail stores on several continents. The text presents a series of articles, essays, and personal reflections that explore the various dimensions of Tribal Streetwear, and how the impact of their designs continues to balance the precarious act of being relevant and responsible with their resources. The book is divided into four sections. Section 1 features essays that set a context for the text.This includes a history of Tribal and where it fits within the history of streetwear, a personal narrative of the founding of Tribal, and lastly an essay on the uniqueness of southern California aesthetics and the fascination with this southern California inspired fashion. Section 2 is a series of interviews with notable artists, musicians, and cultural tastemakers that have contributed toward street culture and Tribal.These include Mr. Cartoon (tattoo artist), RISK (graffiti artist), PERSUE (street artists), Mike Giant (tattoo artist), Dyse One (graffiti artist), Craig Craig Stecyk III (skateboard culture), Bob Hurley (surf culture), and the Beastie Boys (hip hop). Section 3 includes a series of invited and peer-reviewed academic articles on distinct subjects within the street culture genre that further dive into the inputs and influences of Tribal Streetwear.They include breakdancing, surfing, skateboarding, graffiti, street art, tattooing, music (hip-hop/punk), lowriders, custom culture, and Chicano Studies. Section 4 is a series of photo essays that capture the three decades of Tribal Streetwear and serves as a visual history of the brand and the evolution of its graphics.

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  • What is Brazilian Jiu Jitsu?

    Brazilian Jiu Jitsu is a martial art and combat sport that focuses on ground fighting and grappling techniques. It emphasizes leverage and technique to overcome larger and stronger opponents, making it suitable for people of all ages and sizes. Brazilian Jiu Jitsu also incorporates self-defense techniques and is known for its emphasis on positional control and submission holds. It has gained popularity worldwide and is often used in mixed martial arts competitions.

  • What is typical Brazilian music?

    Typical Brazilian music is known for its diversity and rich cultural influences. It encompasses a wide range of styles, including samba, bossa nova, forró, MPB (Música Popular Brasileira), and axé. Samba, with its infectious rhythms and energetic dance moves, is perhaps the most iconic Brazilian music genre, often associated with the country's vibrant Carnival celebrations. Bossa nova, on the other hand, is a more laid-back and sophisticated style, characterized by its smooth melodies and gentle guitar rhythms. Overall, Brazilian music reflects the country's multicultural heritage and is deeply ingrained in its social and cultural fabric.

  • What is a Brazilian degree?

    A Brazilian degree is a qualification awarded by a higher education institution in Brazil, such as a university or college. It can be obtained through undergraduate, graduate, or postgraduate programs and is recognized both nationally and internationally. Brazilian degrees are typically structured according to the Bologna Process, which divides higher education into three cycles: undergraduate, graduate, and postgraduate. The degree programs in Brazil cover a wide range of fields and disciplines, and the duration and requirements for obtaining a Brazilian degree can vary depending on the specific program and level of study.

  • Who are modern Brazilian singers?

    Some modern Brazilian singers include Anitta, a pop and funk artist known for hits like "Downtown" and "Vai Malandra"; Marília Mendonça, a popular sertanejo (Brazilian country music) singer known for emotional ballads; and Emicida, a rapper known for his socially conscious lyrics and blending of hip-hop with Brazilian rhythms. These artists represent the diverse and vibrant music scene in Brazil, which encompasses a wide range of genres and styles.

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